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the ultimate _expression of depression !!!ħ. Un Kaiyil andha Noola - "huh"! - That "huh " ! - man, o ' man. "Sirippikkum Panjam Illai" - usually "Sirippu" word is explained with a gentle laugh by SPB Anna, but in this song he would have just flowed the word without any _expression - (keep the situation in front of you to understand what I mean.)Ħ. Now comes SPB Anna - Have a close observation - Kamal is actually broken while performing this song and a very very close observation will show that SPB Anna would have sung the song with a "Blocked Nose" effect - Eppidi Anna indha padam kaatreenga? (Especially "Dhom Dhom" - indha vaarthaigalai "ul vaangi" padi iruppar) - Andha Pakkam "Kamal's Performance", Indha Pakkam "SPB Anna's Performance" - Naal Full-a pesi konde irukkalaam.ĥ. Kamal is performing the song "on the spot" for fans and you cannot expect a perfect instrumentation) - What a classic thinking? - Now you know why he is "Mellisai Mamannar".Ĥ.
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Kamal's situation is chatoic as per the movie sequence & 2. MSV - Innoru Maha Jhambhavaan of Tamil Music - His brilliance in using all possible instrumentation to explain the chaotic situation will be explicit (1. The rhythmic beats "ThagajinaThaga Dhom, Dhom" would have been blended so well with the Drums - Remember those days "Octopads" were not available and you will really enjoy this blend immediately after the 1, 2, 3, 4. Firstly, I would want all the readers to bring the actual scene in front of them from "Simla Special".Ģ. SPB anna would have maintained the same tempo in providing the gentle gasp again for the word "Verkindradhu" in the line "Thanneeril Nirkum podhe Verkindradhu".įinally, Janaki Amma would have shown her class in just 1 _expression - The line "Ragasiya Rathiri Puthagame" - The _expression for "Ragasiya" from Janaki Amma would be equating to ultimate "Secrecy".ġ. The line "Thanimayile, Verumayile, "Ethanai" naaladi Ilamayile" - The _expression from SPB Anna for "Ethanai" would be showing the long wait with a gentle gasp !!!! Finally my favorite topic of "expressions" :. Very Rare to find this in today's songs.ĥ. One more ultimate Mastero touch in this song is the "Octaves" in which SPB Anna and Janaki Amma would have sung this song - You can draw a perfect "Bell Curve". During TVG Anna's initial Aalaap - Mastero would have opted to use only Tabla, while for Aalaap's inbetween the "Dham" from Mridhangham flows effortlessly.Ĥ. This is Mastero's exclusive touch of creating uniqueness of all stalwarts.ģ. This is even more awesome as 1 person is performing the Aalaap, 1 person is singing the song, 1 person is concentrating on maintaining the "Dham" rhythm. SPB Anna and Janaki Amma would have paced their voice to suit that "Dham" and they compliment each other exclusively with the Aaalaap "Aaaaaaaaaaa". In the entire song there will be a subtle usage of the sound "Dham" from Mridhangham - respecting the value of TVG Anna (though I'm not sure of "Dham" exist in Mridhangham).Ģ.
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If you listen carefully you can admire Mastero's awesome thinking and his professional touches in the following places:ġ. I don't have words to describe the "photographic" touches to compliment this song (or) the "poetic" touches of this song to compliment Kamal and Madhavi's performance (or) SPB Anna & Janaki Amma's "deadly voices" to compliment Mastero's Music (or) the amazing background score of "violinists" to compliment TVG Anna's one "mridhangham". First search results is from YouTube which will be first converted, afterwards the file can be downloaded but search results from other sources can be downloaded right away as an MP3 file without any conversion or forwarding.One of the finest songs where you can relish the art of "Complimenting" each other:
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#Malare mounama song guitar notes free
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